DIVINE FEMININE PAINTING HOW TO
DIVINE FEMININE PAINTING SERIES

As DeLong writes, she finds beauty “in chaos and cosmos.” As she considered a work of art exploring the sacred feminine, DeLong felt her geometric artistic style was particularly well-suited to the task, as symbols allow more freedom to think about who or what God is. Lisa DeLong’s art probes the geometry of the sacred, tapping into an ancient tradition of melding mathematics with religious art.

Pigments and leafing on paper, 36 x 24 inches Lisa DeLong (British-American, born 1974) Although the subjects are mortal, Hafen wanted viewers to see the image as a template for Heavenly Mother and her children and contemplate their relationship with her. The figures stand in a close embrace against a clear sky, an example of enduring parental love. Hafen used his wife, Thora, and his daughter, Delia, as models for the mother and child depicted. Smith offered to buy the first copy printed, the Church ultimately decided not to get into the business of publication, much to Hafen’s disappointment. Rich and Ellsworth tried to convince the First Presidency of the Church to purchase the booklets and distribute them to missionaries, but to no avail. Hafen wrote at the time, “I am impressed with the means that pictorial art might be of spreading the grand truths which are in that poem.” Rich, Ellsworth, and Hafen saw the booklets as a missionary opportunity, as the images could speak to people about the nature of God in a new and different way. The two men offered to finance the project, keeping only a small amount of the proceeds and returning the rest to Hafen.

DIVINE FEMININE PAINTING SERIES

Snow’s poem “O My Father” into a series of illustrations that could be made into a booklet and sold. Ellsworth, impressed with Hafen’s work, suggested he turn Eliza R. When he returned, he used his new skills on the Salt Lake temple and then struggled to make a living as an artist.

DIVINE FEMININE PAINTING HOW TO

In 1890, John Hafen was called a missionary to study art in France, where he learned from the masters of the time the use of color, how to apply light, and the broken brushstrokes of impressionism, all of which can be seen in his later work. John Hafen (American, born Switzerland, 1856-1910)Ĭollection of Brigham Young University Museum of Art

Divine feminine painting